Not because I haven't got any ideas, but because I've got too many. What should I write next? Should it be the one with the llamas in? Or the 'quiet man in the caravan' story? Or should I finish that vampire novella that's half done and sitting on my desktop like a big accusatory finger wagging at me whenever I start my machine?
Yes, I'm inclining towards the llamas myself |
It's like...you know when you fancy a bar of chocolate? You just think 'mmmm, I want some chocolate,' so you go to the shop and you stand in front of the 'chocolate' section and... do you want milk, plain or white? Do you want ordinary chocolate, or chocolate with bits in? Posh chocolate, which you tell yourself you will only eat a little bit of because it's so rich, or cheap chocolate where you know you will scoff the whole bar in seconds? Or would you rather have something covered in chocolate, like peanuts or raisins? Or even a pack of chocolate biscuits, because they are chocolate and you can also dunk them in your tea?
Choose fast, choose wisely |
And then I have the tendency for my ideas to become like Rocky Road - llamas, plus quiet man in caravan, with a few vampires floating around for good measure.
But, whereas nobody ever said 'what that Rocky Road needed was a few less cherries and not quite so many marshmallow pieces', a book CAN have too many elements in it for proper storytelling. Too much going on and you can't focus on the characters.
I think I'll go and stare at the chocolate section again for a bit. Warning: my next story may contain nuts.
4 comments:
I have a variant on this theme. I am forced into one aisle in the supermarket, towards one checkout at the end. And the trouble is, I just keep picking up more items until I'm way over the "10 items or less" restriction. I've gone in with the strict recipe in mind, approved by whoever needs to approve. But I've got this other lovely ingredient which I could put in, couldn't I? It would add to the range of suspects - wouldn't it? And what about...
Meanwhile, I stick on the middle of the aisle whirling round and round until in the end I whirl myself right out of the shop. And I've pummelled this analogy to death.
Lesley, there are simply so many tempting things that could be added... I think a great part of the skill of writing is knowing what to leave out, rather than what to put in! A bit like cooking too, now I come to think of it...
I usually add too much stuff and have to take things out. This works okay in writing. Disastrous in cooking.
For what it's worth, I'd like you to finish the vampire novel. Pleeeeease. (pretty please with cherries and marshmallows on top?)
Your post made me laugh. Stories are like Hitchhikers that you pick up thinking you'll drop off in a few miles only they end up coming home with you and filling up every available space in your house...because they're so charming and funny and you want to find out who they are and all about how they got there and where they're going, but en masse they get a bit overwhelming (and they eat all the chocolate and the biscuits with or without nuts) and it's hard to know what to do with them because you like all of them (even the psychos) and you don't want to tell them to take a hike. It's so easy to get bogged down not knowing which one to listen to. Like Rhoda I'm hoping you're drawn to your Vampire story. If you're swayed by readers whining for certain stories, I add mine. I check regularly to see if it's there. I'm hoping for Zan's story (which with my luck isn't even on the cards, but one lives in hope). :)
Happy writing!
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